


The works have the frontal visualization together. Candid uninszeniert, unadorned. A recording of the opponent. In the self-portrait, the portrait of the other, the portrait of the homeland.
Ulrike fields infiltrated in "Faces of mine" by self-observation images of a continuous external identity of the person.
Romana Dorant makes "last working heroes" in the face of production workers the importance of human resource last read.
Markus Zahradnik is in "do-gooders' in big heads, the people constitute in itself
Karin Boehm throws in the" Images of Home "a critically-kennel eye gaze to everyday reality in rural surroundings.
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